Collage was
always important for Fred, but for years he was quick to add two
personal rules: individual collage pieces needed to be cut "away
from the line" and they had to be kept loose and floating.
And it was only through a few of his photographs that we can see
what he had in mind.
In 1988, while
giving a lecture at the University of Michigan, he decided to
try making collages from precisely cut pieces. From shortly after
his return to Prescott until quite near his death he made collages:
cut carefully "on the line," and "glued" down
(using Scotch 415, double-coated tape). His first public exhibition
of his collages was at George Eastman House, www.geh.org,
in 1991.
Often he had
loose pieces on his table, and he enjoyed letting guests "play"
with them: moving them around, linking them as design. What was
remarkable was that almost as often, what was laid out looked
contrived or arbitrary. Sometimes, he would give the pieces a
quick tweak as he passed by and suddenly they fit, naturally and
elegantly. As with his musical scores, his visual memory and sense
was astounding. He could see linkages between elements that were
only obvious after he made them.
Although he
was very proud of them, he sometimes worried that they weren't
good. We would chat at night, occasionally, about this. He was
exploring design in fresh, new ways, but the world wasn't clamoring
for shows, and there weren't sales. We both felt that if people
saw them, then perhaps they would get the acknowledge they deserved.
We talked about doing a Web site, or, if I did one, we could put
them there. Fred died in January, 1999, and was never able to
see this. It is something I regret.
Here is a
small gallery of his collages. All works are © 1989-1998
by Frederick Sommer.
Collage
gallery